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Enrico Armenia Web Designer
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1991

Genitori di Cuore- Restyling Website

Genitori di Cuore- Restyling Website

  • Client Genitori di Cuore (non-profit association supporting adoptive and foster families)
  • Date 2025 - 2026
  • Services Restyling Web Site WordPress
  • Location Milan, Italy
  • Platform WordPress, Elementor, custom theme
LIKE THIS 1991
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Genitori di Cuore’s website hadn’t been meaningfully touched in over a decade. There was no real design system or visual hierarchy — sections felt mixed with no clear flow. Photography dated back to the early 2000s. Pages lacked proper descriptions and copy, and the site had never been optimised for search. Digging into the backend surfaced the technical side of that neglect too: over 30 old header templates and page versions layered on top of each other from years of edits, causing visual bugs like a duplicated logo/menu and a leftover “COVID-19 update” banner still live years after the pandemic.

Strategy

Full visual redesign of the site on WordPress/Elementor — introducing an actual design structure and hierarchy where there had been none, and cleaning up over 30 overlapping legacy header templates down to a single, maintainable source of truth.

Design

Redesigned the visual identity with current, on-brand photography replacing imagery from the early 2000s. Removed leftover technical debt causing visual bugs — a duplicated header and a years-old COVID-19 notification banner still live on the site.

User Experience

Rewrote content from scratch across key pages — clear descriptions and copy where there had been little to none — and improved on-page SEO so the association’s mission and family support programs are finally discoverable and properly communicated.

The project involved a complete visual redesign and rewrite of the site’s content from the ground up, alongside a full technical cleanup of the WordPress backend to bring the header structure down to a single, maintainable template and restore proper site hygiene.

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Standard | Web Design
2130

Tallinn Summer School — Design Systems in Figma

Tallinn Summer School — Design Systems in Figma

  • Project allinn Summer School — "From Atom to Products: Developing Design Systems in Figma"
  • Date July 2026
  • Services Tallinn University, Estonia 🇪🇪
  • Location Tallinn, Estonia
  • Platform Figma, Tokens Studio, W3C Design Tokens
  • Role Participant / UX Designer
LIKE THIS 2130

In July 2026 I attended an intensive summer school at Tallinn University focused on building scalable, component-based design systems in Figma — from atomic tokens to full product patterns. I used the course as an opportunity to apply the methodology directly to Path Abroad, my own EU mobility consulting project, turning coursework into a real, reusable design system.

Strategy

Rather than working with a generic training brief, I anchored every exercise to a live project — Path Abroad, my international mobility consulting service. This meant every token, component, and layout decision had to hold up against a real use case, not just a classroom exercise.

Design

Starting from the Path Abroad brand mark, I built a full color token system in Figma using semantic naming (color/primary, color/bg-surface, color/text-secondary) instead of raw values — with #2D5B82 as the primary blue, plus a supporting scale of light blues, whites, and greys. I extended this into a typography scale, spacing tokens, an icon set, and a 12-column grid, all set up as W3C-compliant Figma variables so they could be exported and reused across other tools via Tokens Studio.

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Program Tallinn Summer School — “From Atom to Products: Developing Design Systems in Figma” Date July 2026 Location Tallinn University, Estonia 🇪🇪 Tools Figma, Tokens Studio, W3C Design Tokens Role Participant / UX Designer

Following atomic design methodology, I moved from base atoms (colour, type, spacing, icons) to components (buttons, badges, form fields) and finally applied the full token set to two real prototype screens for Path Abroad: the homepage and the “About + Destinations” page, covering Australia, Northern Europe, New Zealand, and Italy. Every colour, button state, and icon on these screens comes directly from the token library rather than one-off values — proof that the system holds up across full, content-heavy layouts, not just isolated components.

Outcome

The result is a working, documented design system I can keep extending as Path Abroad grows — and two fully designed prototype pages that put it to the test. It’s a concrete example of how my UX/UI skills and my EU mobility consulting work reinforce each other: I don’t just advise on international careers, I build the digital tools that support them.

Tallinn also gave me a first-hand look at Estonia’s startup ecosystem — from Lift99 to e-Residency — feeding directly into the research behind Path Abroad’s Northern Europe positioning.

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